Every
child is an artist. The problem is how to remain an artist once we grow
up. ~Pablo Picasso
When I was a child I
would happily spend hours churning out endless drawings and paintings. I dreamt
of being an artist when I grew up. Later, as I grew older I became somewhat
discouraged by the fact that the only artists making any decent money for their
work appeared to be dead ones. By the time I was twenty, I had all but given up
on art as a career or even as a hobby.
Then last year I found
myself wandering around an art gallery and saw some beautiful linocut prints by
Australian linocut artist Leslie van der Sluys (1939-2010). Being naturally
curious, I made a note of his name and later did some research into Van Der
Sluys and linocuts in general. Soon I was rediscovering our very own Australian
artistic treasure, Margaret Preston (1875-1963); a linocut queen from last century.
Before long my
Googling internet research had led me to the College of Adult Education in
Melbourne and their two-day introductory course in linocut art. It was one of
those “seemed like a brilliant idea at the time” moments, so I enrolled.
Linocut is a
printmaking technique that became popular at the beginning of the 1900s as an
easier alternative to woodcut. Many children are introduced to the world of
printmaking with linocut in their primary school years. Last year at Barham
Primary School, Henry produced a fantastic ferocious looking bunyip linocut
print.
For the past two
Saturdays I have been attempting to reconnect with my inner child artist while
attending the linocut course in Melbourne. By 2pm on the first Saturday I had
remembered why I hadn’t spent any time doing any form of art for the last two
decades… I had the picture in my mind of my completed artwork (it was magnificent,
something similar to Van Der Sluys’s work at the peak of his career), but try
as I might I couldn’t recreate that image onto the linoleum in front of me. In
fact I couldn’t seem to recreate anything.
All around me my
fellow students were busy sketching and then cutting out their designs on
blocks of linoleum. While all I seemed to be able to do was stare at my untouched
lino and wonder how on earth I was going to produce a masterpiece.
My fear and insecurity
of making a mistake or producing an image that was less than perfect was
stopping me from doing anything. Is there anything as frustrating as looking
back on a day and feeling like you’ve achieved nothing? Clearly my goal of
achieving perfection without the practice was not going to work (damn it all).
Later a friend kindly
pointed out that I needed to stop worrying so much about the end result and
just get started. So I did. I found images that I liked and I copied them and
then set about carving out the lino. They weren’t perfect but I liked them
anyway.
Last Saturday was the second
day of my two-day course. I found it far more enjoyable than the first day for the
simple reason that I actually worked industriously for the entire day. By the
end of the course I had a small portfolio of printed linocut art I could frame…
or at the very least, sticky tape to the door of our fridge.
Woohoo! You know I do hand coloured linocuts - made my first major sale as a 5 year old selling linocuts of grover and mini mouse at one Dad's exhibitiions - made $55!!! Still sell them - haven't had any time to make any lately. A really good linocut artist is Vida Pearson - alive and living in Melbourne and member of Wildlife Artists of Australasia. '
ReplyDeleteAnd your friend is right - art is about experimenting!
Hi Justy, no I had no idea you do hand coloured linocuts, I look forward to seeing them one day and what sales your five year old self made - what would that be in today's money?!! Thanks for the info on Vida, I shall check out her art.
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